March 16, 2009

How to Put Photos on a DVD in Ten Easy Steps

Filed under: Photography Parlor — admin @ 9:32 am

Putting your photos on a dvd requires two software programs. You will need one for organizing your photos and one for burning them on to a dvd. In this article we will be covering Windows Movie Maker since it is a free program that comes with Windows XP users. You can also get it free through Microsoft if, you don’t already have it installed. Your computer must also have a dvd burner and software for the burning process. Since many new computers come with Nerovision Express 3.0 software we will be using this program in the following steps.

Let’s give it a try shall we…

Step 1. Bring your Windows Movie maker software program up on your computer screen.

Step 2. Look for the task tab, under the capture video category, click on import pictures.

Step 3. Drag and drop your photos in the storyboard arranging them any way you like.

Step 4. Under the edit movie category you can add video effects and transitions. Drag and drop them also in the storyboard. Try all of the them to see which ones you like the best.

Step 5. To add one of your favorite songs change the storyboard view to the timeline view. Under the capture video category, click on import audio or music. Drag your music into the timeline, under your photo scenes, where it says audio/music.

Step 6. When you are satisfied with your preview choose, save to my computer located under the finish movie category. Your video will be saved with a wmv extension.

Step 7. Bring up your Nerovision Express software program and click on make DVD - DVD Video. Under the content screen, click on add video files. Locate the video you just created in Windows Movie Maker. (Remember it will have a wmv extension.) You can add more than one video here. When you see that your video and or videos have been added click on the next button.

Step 8. In the select menu screen click on edit menu. This is where you can choose from a wide range of layouts, background pictures, etc. Play around with the different options you have. When you get the menu just the way you want it click on the next button. (Click on save as template for saving your menu.)

Step 9. Now preview your video by clicking the play button on the remote control. If you are satisfied with the results click next.

Step 10. From the burn options screen, click on burn to located in the parameters for burning box. Locate your dvd drive. Click on the burn button when you are ready. This process takes a while so you have to be patient. Try not to do anything else on the computer while the burning process is in effect.

Note: If you find that the software won’t let you burn, you may need to purchase an additional plugin. If that is the case, you should see a pop up window with instructions on how to get it.
Note:You will not be able to burn without it.

That is really all there is to it! Now wasn’t that easy?

Copyright © 2005 Lynn Quario - All Rights Reserved

Please feel free to reprint this article providing the links and author stay intact.

Lynn Quario is a groovy grandmother who loves to create family home videos.

If you want to learn how to be more creative with your videos check out her website at http://www.create-your-own-dvd-movie.com/

February 27, 2009

Barbie on the Camera Is Fun for Kids

Filed under: Photography Parlor, Product Infos — admin @ 6:46 pm

I have been looking for something fun for my daughter to play with. She loves Barbie, but she also loves doing things like taking drawing and taking picture. I thought something she would love would be to get her one a barbie camera. That way, she can feel like she is going to do something that she likes by taking pictures, but she also has fun with it like when she is playing with her barbies. I just want her to be able to create memories and have a lot of fun doing it so she can learn a lot in life.

And I have been trying to get my daughter interested in something that really matter to her. I know that she is so good with anything creative, but it has been hard for her to choose. Just the other day, I noticed her looking at some pictures and making comments about them. I just knew that I needed to get her a barbie camera, or something that would help her explore her eyes for seeing pictures. I know that she would be good at anything in that department, but why not let her try to start being creative with a camera at an early age?

February 8, 2009

The Arizona Desert Museum

Filed under: Photography Parlor — admin @ 3:10 am

The vast beauty and richness of the desert can be easily seen in one place in Tucson, Arizona. Known as the Arizona Sonora Desert Museum [”Desert Museum”], this gorgeous and convenient site is host to a cornucopia of plants, birds and animals native to the desert. Home to more than 300 animal species and 1200 plants in natural settings, it is a photographer’s paradise.

Located in the Tucson Mountain Park just a few miles outside of Tucson, the Desert Museum was founded in 1952. The private, nonprofit organization, dedicated to the conservation of the Sonoran Desert, offers a zoological park, a botanical garden, an art gallery and a geology museum.
The Desert Museum is a 15 minute drive from the heart of Tucson and is open every day of the year. Hours are from 8:30 a.m. - 5:00 p.m. from October through February, and 7:30 a.m. - 5:00 p.m. from March through September. The entrance fee is $9 for adults.

While this is in fact a “museum,” don’t be confused by the name. The facility is out in the open and feels more like a zoo or a park. It includes almost two miles of paved and dirt paths through 21 acres of desert.

WHAT YOU CAN PHOTOGRAPH THERE

The hardest thing about this location is deciding what to photograph. Should you spend your time shooting in the cactus garden or the hummingbird aviary? Do you first go through the pollination garden filled with bees, butterflies and moths, or visit the several exhibits of mammals, including black bears, mountain lions, bighorn sheep, wolves, bob cat, fox and coyote? It will take several visits to take in all of this.

Docents - trained volunteers - wear white shirts and are available throughout the Museum to answer your questions and to give demonstrations. One docent enthusiastically shared his Mexican Boa snake with me, while another held a screech owl and explained the differences between the many species of owls.
While there is much to photograph, don’t become so enamored with the various subjects that you forget about making your best images. Backgrounds and people will be your biggest challenges. Tripods are allowed everywhere, but signs advise photographers to be mindful of the other visitors. Put your lens right up to the birdcages so that the cages are so out of focus they can’t be seen in your final photo. Avoid photographing the animals in dappled or spotty light (where parts of the animal are in shade and other parts in light). Like many zoos, the animals often are sleeping around corners where they are difficult to photograph so talk with trainers, docents and museum staff to see when they feed the animals. This is when they will be most active.

TIPS FOR SHOOTING THERE

You also have to practice your technique. For example, the hummingbirds move fast as lightening, so it’s impossible to follow them to shoot. Instead, look where they roost or feed, set up your shot for the best background, and then patiently wait for the hummingbirds to return - they will. While the light is best both morning and afternoon, the animals are more active early in the day. Be careful to avoid the bright background where the mountain lion likes to perch. Note that the Desert Loop Trail, home to the javelina and coyote, is a relatively steep and hot trail.

You’ll want a long telephoto lens in the range of 300-400 mm to frame the wildlife. An extension tube or telephoto/macro will allow for close focusing of the hummingbirds. For the full compliment of images, add a wide-angle lens for the few landscape shots and a macro lens for the cactus garden.
In addition to the birds and mammals, the Desert Museum has excellent reptile, invertebrates and underwater exhibits, as well as a mineral display. The light in these areas is inadequate for photography, however.

The heat of the desert makes it a difficult visit to the Desert Museum in summer. In October during my visit, the noonday heat was tolerable with a hat and sunglasses, but the temperatures were more comfortable during the early morning and late afternoon. One docent advised that April is the best time to visit for desert flowers, but she tells her friends to visit in March when it’s cooler.

DIRECTIONS

For more information, check the website at www.desertmuseum.org, or call 520-883-1380. The address is 2021 N. Kinney Road, Tucson, AZ. To get there, take I-10 to the Speedway Boulevard exit and go west for about 10 miles. Note that Speedway Boulevard turns into Gates Pass Road along the way, and be sure to stop at the two scenic view turnouts there. Turn right at the dead end onto Kinney Road, and drive for three miles. The Desert Museum will be on your left. If you arrive via the Tucson airport, signs will direct you to the Desert Museum by way of Highway 86. I found this to be the longer and less efficient approach, but you see more of the beautiful Tucson Mountain Park this way. Also use this route if you are carrying a trailer, because the Gates Pass Road is steep and winding as it travels over a mountain pass.
The Desert Museum provides a tremendous abundance of wonderful photographic and educational opportunities in one place, and is worth many visits.

MISCELLANEOUS

Food: There are four food facilities on the Desert Museum property, ranging from a snack bar to casual fine-dining. No picnicking is allowed inside the property due to the presence of animals, but a small picnic area is available just outside the entrance. Additional large picnic areas are located throughout the Tucson Mountain Park, including the San Juan Carlos picnic area adjacent to the Desert Museum on Kinney Road.

Lodging: Since the Desert Museum is close to downtown Tucson, there are lots of places to rent a hotel room. Convenient hotels include the Four Points Sheraton Hotel (800-843-8052), the Marriott University Park Hotel (520-792-4100), and the Red Roof Inn (520-744-8199). The Gilbert Ray Campground (RV friendly) is located on Kinney Road about two miles southeast from the Desert Museum (take a right turn when leaving the Museum).

Other Necessities: Restrooms, shaded rest areas and water fountains are scattered conveniently throughout the Museum, including on the relatively long, hot Desert Loop Trail. The Museum has two gift shops stocked with a supply of batteries, film and other necessities. Bring a wide-brimmed hat, sunscreen and comfortable, sturdy shoes. Pants will keep the cactus needles at bay, especially if you venture into the desert for that sunset shot. The closest gas station and convenience mart are located four miles southeast (a right turn from the Desert Museum exit) on Kinney Road.

Caution: The sun can be harsh and the air is dry. Drink lots of fluids. Also note that pets are not allowed in the park because of the wildlife, but do not leave them unattended in your car. Wildlife, including snakes, lizards and coyotes, can roam throughout the Museum’s grounds.

Other Local Areas of Interest: The Saguaro National Park (http://www.nps.gov/sagu/), another significant member of the Sonora Desert, borders the Tucson Mountain Park. Famous for its giant saguaro cacti that sometime reach heights of 50 feet, the Park offers several hiking trails and scenic drives that provide access to great photo opportunities. The Old Tucson Studio, where many cowboy movies have been shot, is just southwest of the intersection of Gates Pass Road and Kinney Road. On your way to the Desert Museum via Speedway Boulevard, you will pass The Wildlife Museum, full of stuffed animals from around the world. A couple of visitors to the Desert Museum told me that the Colossal Cave located in Vail, Arizona (about an hour drive from Tucson), which is on the National Register of Historic Places, is a must see. www.colossalcave.com

Copyright 2005 Carolyn E. Wright

Carolyn Wright - EzineArticles Expert Author

— ABOUT THE AUTHOR —

Carolyn Wright is a professional photographer with an active portrait, event and nature photography business. Shooting for 25 years, her award-winning images have been used in books and corporate marketing materials. Her wildlife photos will be included in the upcoming book, “Captivating Wildlife - Images from the Top Ten Emerging Wildlife Photographers” by Scott Bourne and David Middleton. She also is working with Scott Bourne on “Wolfscapes,” a photo book documenting the beauty and strength of wolves. Her wildlife images can be viewed at http://www.vividwildlife.com..
On the faculty of Olympic Mountain School of Photography, Carolyn’s passion is enhanced when teaching photography. She enjoys writing and speaking on the subject, as well, and is a regular columnist for PhotoFocus, an online magazine for serious photographers.

January 22, 2009

Digital Printing vs. the Traditional Method in Photography

Filed under: Photography Parlor — admin @ 6:20 pm

Over the past years, technology has been continuously evolving and it has brought about improved graphics, artworks and printing. Newer breakthroughs in technology have also made printing affordable and easy to use.

For photographers too, printing has been made very easy and consultative. More photographers have switched from the old style to the modern enlarged printing with the use of digital inkjet printers.

With the modern use of digital cameras now taking into effect to make perfect digital shots, photographers no longer have to go through the process of scanning of the negatives from the pictures taken This is the one of the main reasons more photographers have switched over to the digital age technology.
Digital image printing is developed in corresponding software such as PhotoShop, CorelDraw and may other types of software. However, among them all, Photoshop is the most commonly used software application to meet the demands of clearer and precise digital prints. In fact, it has now become difficult for photographers to sell the equipment formerly used in the darkroom.

With the growth of printing technology, new issues have also sprung up, such as whether digital printing is really as aesthetic and long lasting. Critics wonder if digital printing can contain the same level of output as that of traditional images. For others, printing in inkjet printers is akin to imitating the original as they are printed with the use of ink, while the traditional method contained natural mixture for photography purposes. Nevertheless, even with the advancement in digital photo printing, a number of people still appreciate the old technique of printing.

In case you’re wondering about when the debate of digital printing over traditional was sparked off, it started with doubts over the long-lasting effect of inkjet prints over emulsion printouts. Critics have questioned if inkjet prints can endure the exposure longer and maintain their quality. However, some have proven that the traditional prints have not lasted as long and have slowly been fading in time as well. This observation strengthens the belief that no image can withstand exposure for a long period of time yet. Given that the developments in digital technology are ever increasing, questions and issues regarding its performance have been lessened for it has played its role well till date.

Inkjet prints have greatly contributed to giving an eventual effect in the uniqueness of images. The technique of inkjet printers involves spraying a number of tiny dots onto the paper, making the image sharper and more defined. This is perhaps a simple example of how the new printing technology has played its part of contributing to creativity and has now defined its own field of artwork.

The acceptance of inkjet prints has been quite unpredictable so far. In some exhibitions and art galleries, inkjet print designs are easily allowed, whereas some follow strict rules against the display of such prints. Alternatively, some designers still prefer the traditional emulsion prints to be part of their artworks. For those who rely on digital printing, the choice is based on practicality and reverting to the traditional technique is not longer financially viable. Digital printing has also made enlarging of prints and images much easier than traditional printing. It has been suggested that in time, when digital printing will continue its rise in the world of technology, many will make the switch over from the traditional method to the digital one.

The use of digital printing requires refinement in art skills, and accuracy and precision should be followed and maintained. To enhance printing abilities, the aid of Photoshop, or similar types of software can prove to be very useful for acquiring spectacular prints.

Cyan And Magenta Explained
Moving on to ink cartridges used in printers, anybody who has purchased these cartridges would know that there is no blue or red ink. Cyan certainly looks blue and magenta definitely looks red but have you ever wondered why they simply don’t call them blue and red instead of cyan and magenta?

Here’s the explanation both monitors and printers use different ways to produce colour. While a monitor is a light source, printers are light reflecting. The only common ground between the two is something known as dithering. It is the process of approximating a colour that cannot be displayed with uniformly dispersed dots of other colours.

This technique assigns differing colour values to adjacent pixels, thereby reducing the contrast between dots of different colours or shades and generates a more flowing, natural impression. When viewed from a distance, these colours seem to blend into a single intermediate colour. Dithering is similar to the half toning used in black-and-white publications to achieve shades of grey.

Coming back to the discussion, both monitors and printers use primary colours; however, a monitor uses primary additive colours red, green and blue, while printers use the primary subtractive colours cyan, magenta and yellow. In both cases, the primary colours are dithered to form the entire colour spectrum. Dithering breaks a colour pixel into an array of dots so that each dot is either made up of one of the basic primary colours or intentionally left blank to create white.

Cyan and magenta are in fact old printing terms for blue and red, but since some form of differentiation is needed between the additive and subtractive spectrum, cyan and magenta are here to stay!

John Sollars is the managing director of Solar Electronics, which are both ink and pc peripheral suppliers based in Shropshire, UK. To access a comprehensive online shop of original and re-manufactured printer inks please visit www.mega-office.co.uk

January 5, 2009

Photography A - Z the Easy Way: C - Composition

Filed under: Photography Parlor — admin @ 4:15 pm

Almost nothing is more important than composition. No amount of manipulation of your image will help a badly composed picture.

But what is “composition”.

Don’t worry about the fancy terms, but basically, composition is the art of getting the final image looking right, starting from the moment you take the picture.

There are several elements:

- choose the correct subject: make sure the subject is relevant to your audience and to the message you are trying to convey

- place the subject: the “rule of thirds” means that subjects look best one third in from the side of the image or one third from top or bottom

- associate your subject: use the appropriate setting which gives “meaning” to your subject

- clear clutter: check the background for unnecessary rubbish or distractions

- watch for inanimate objects: don’t have lampposts growing out of people’s heads

- choose the correct lighting: no squinting or shadowy faces allowed, unless intended

- isolate your subject appropriately: use different apertures to change depth of field

- make your subject “talk”: get your picture to tell a story of some sort

- use props: where necessary, consider using a complementary prop (for example, someone holding a flower, or a boy on a bike)

- use an appropriate lens: telephotos and wide angles have different fields of view

- fill the frame: where possible, make your subject fill the frame and avoid unnecessary inclusions

Composition is the backbone of good photography. Use it wisely and your images will have impact.

Eric Hartwell runs the photography resource site http://www.theshutter.co.uk and the associated discussion forums as well as the regular weblog at http://thephotographysite.blogspot.com

December 30, 2008

The Basics of Digital Photo Finishing

Filed under: Photography Parlor — admin @ 10:14 pm

Owners of digital cameras enjoy many advantages over those with film cameras. A couple of these advantages are that they can take multiple pictures of the same thing without the fear of wasting shots and they can simply take the memory cards out of their digital cameras and put photos on a computer without worrying about storing sensitive film rolls. However, when the subject of getting digital camera photos into picture form comes up; inexperienced owners may be left scratching their heads and yearning for their old film cameras. But these digital camera owners need not fear because there is an easy solution for their problems: digital photo printing processing.

Sure the easiest solution for getting a digital camera photo into picture form is to print it straight off of the computer. This leaves people with no hassles and quality pictures, right? Well, not quite because ink and printing paper always seem to have the nasty habit of increasing in price every year and the average printer just isn’t capable of producing good, presentable prints. This is why seeking out an established online company to carry out the digital photo printing and processing duties is the common sense solution. Finding online websites to carry out theses tasks is extremely easy due to the fact that there are multiple sites throughout the Internet that specialize in digital photo printing processing. After finding a website of choice, all a person needs to do is upload the pictures saved on their computer to the company’s photo service and choose their preference of options. After payment and shipping details are complete, the pictures will be processed and printed by the company and then sent by mail.

While it would be nice to think that just about any online photo service will fit your needs, the reality is that there is many variations among the various companies. Some companies may be higher priced but offer more quality and some may offer average prints at lower prices. Make sure to check out online reviews about whatever company that you are planning to use to make sure that your preferences will be fulfilled.

To view our list of recommended sources for digital photo printing online,
visit Recommended Sources For
Digital Photo Printing Online.

Get The Most Out Of Your Camera (Part 1)

Filed under: Photography Parlor — admin @ 2:59 am

Did you ever see an image where only a small part of it is sharp? Using the aperture ring correctly can maximise the artistic look of your image.

Not only does it determine the depth-of-field, it also has the power to direct the human eye.

The human eye is instinctively drawn towards noticeable points of an image. These are usually the sharpest and most important parts of an image. Using a wide aperture to limit the area of sharp focus can direct attention to the most important elements of your image and blur out any off-putting backgrounds.

This isn’t that hard to accomplish, and can be blissful if done correctly.

Lets start off with understanding depth-of-field, aperture and f/stops.

Depth-of -field: The distance from the front to back that is in reasonable sharp focus is called the depth-of-field. There are two ways of controlling depth-of-field: Use a small aperture or focus on a point farther away from your camera.

Aperture and f/stops: The aperture is an opening in the centre of the lens through which light passes. The amount of light, which passes through an aperture, is indicated by f/stops. The lower the f/stop the more light that passes through the aperture. Opening up one full f/stop doubles the amount of light entering the camera. F/4 admits twice the light of f5.6.

By selecting a small or narrow aperture (f/16 or up), all or most of the scene will be reasonably sharp. This is ideal for landscape photography. By using a small aperture you increase the depth-of-field.

By selecting a large or wide aperture (f/5.6 or below) you decide which part of your image is sharp. This is ideal for taking pictures of wildlife, portraits, sport and small objects. By using a large aperture you decrease the depth-of-field

The smaller the f/number, the wider the aperture.

There is about twice the depth-of-field behind the point of focus as there is in front of it, using any aperture.

Now you know how to isolate your subject, so it’s time to put it to use. Set your camera to aperture-priority (AV) mode, and then select a large aperture (f/2 - f/5.6). By doing this the camera will select the shutter speed automatically. If you are shooting wildlife choose a low viewpoint to maximise the image, try putting the camera lens at eye-level with the subject.

While the above will help to isolate you subject, it’s only a start. Know your subject, especially when shooting wildlife. Don’t be fooled into thinking all elements of an image must be sharp to be considered a good photo.

TJ Tierney. Award winning Irish Landscape Photographer. If you are looking for more tips visit: Photo tips. To view some of his images visit his on-line gallery: Pictures of Ireland.

December 27, 2008

Photo Hosting

Filed under: Photography Parlor — admin @ 12:35 pm

Sharing and printing photos on the Internet has always been difficult for everyone. Trouble with attaching the photos when emailing as well as when uploading them inevitably occurs if you are trying to make it in the commonplace manner. Recently, the situation has improved by the appearance of online photo albums. There exists a large variety of different photo albums on the Internet. Their priority is to ease the process of photo sharing and printing. Online albums offer photo hosting for all kinds of photos. Both professional photographers and laics use the service to show their photos in publicity.

In what these photo sharing sites differ from the ordinary photo albums that people create on their web sites? The difference is only that online albums provide easier ways to share your photos. Many people in the past years became virtually fed up with life when they tried to upload their photos on a given web site. The procedure of uploading was so tediously long and took a really long time. First people had to scan their photos. Next, they had to convert them into a .gif or .jpg file format. They had then to resize the photo in case it doesn’t fit in the hosting services guidelines. Uploading it to the Web site’s server was the next procedure. Another thing was to ascertain the URL for the photo. Additionally, a code on the page had to be put, so that the photo would show up. As this long procedure wasn’t enough, people also needed to create thumbnails for every photo on the site so that loading of the page became faster (of course, not forgetting to create links to each graphic from the particular thumbnail!). If there were too many photos, the site would take years to wholly load. Uploading digital photos is a little bit easier, as scanning and format converting are omitted, but there still remain the other exasperating procedures, which usually take forever to accomplish.

What are the priorities that photo hosting sites have over the commonplace photo albums on web sites?

Pixyshare.com is designed to accomplish the whole uploading procedure for you. Your photos will be uploaded in just a few clicks and their online display will not depend on your HTML abilities. You don’t need to know anything about uploading to use the photo hosting service that Pixyshare.com offers. Another point is that the visitors of your album will have full access to the photos, if you only give them one URL address.

Pixyshare is one of the various photo hosting sites, but it offers many new extra features that other photo hosting albums lack. It is designed for photographers who like to display their photos on the Internet without having to bother about uploading procedures. For creating an account you only need to choose an username. Creating photo albums is easy and what’s more, it brings pleasure. In addition, there are no limitations about the amount of photos to be uploaded on a given album. In comparison to other photo hosting albums, which limit your files sizes up to few MBs, Pixyshare.com gives you the opportunity to upload a file with up to 10 MB in size. You may as well delete or compress original images, using our Original Image Processing tool, so that you have full control of your disk space. Another advantage of Pixyshare is the affiliate program, which offers a discount if your friends also become members. Any time a friend of yours becomes a member, you will be paid 6 $ for having asked him or her to use our service. Unlike most of the paid photo hosting sites that give you limited trial period, we offer you no time limitations when you want to try our service. Get your pictures online for as long as you like, and take your time to decide whether you like to join us.

Pixyshare is designed to make everything automatically - thumbnails, changing photo sizes and so on. You can add comments about each one of your photos. You may password-protect some of the photos so that only selected people can see them. You can choose the size of your photos: medium, small or large, depending on your preferences.

Pixyshare is the perfect photo hosting portal on the Internet if you want to discover the advantages of online albums. Just try it, without spending any money: the primary service is free and offers many extra features.

Article by Robbie Darmona - an article writer who writes on a wide variety of subjects. For more information click online photo album

December 21, 2008

JPEG Images Are Inferior Quality

Filed under: Photography Parlor — admin @ 2:45 am

If you shoot and save your images in the JPEG format then you have already thrown away some of the original information that the camera captured when the shot was taken. This cannot be retrieved.

In most circumstances, this will not matter and the vast majority of high quality JPEG images produce highly acceptable and pleasing results.

Your camera itself may save the image as a JPEG in which case, its internal processing has already discarded some of the original information. If you then subsequently manipulate the file on your computer and then re-save, even more information is lost. As the file loses information, so the image becomes progressively degraded.

Things are worse with JPEGs over some other formats as the process also compresses the file when it is saved leading to even greater potential degradation of the final image. With a TIFF image, not so much data is lost.

If you want to avoid loss of image information, then shoot in RAW format. Then make a copy of the resulting file and save the original as a “master”. Use the copy to work on and save as a JPEG. You can then always go back to the original RAW (don’t forget to make a copy!) and regain the original information once more before working on it further.

Eric Hartwell runs the photography resource site http://www.theshutter.co.uk and the associated discussion forums as well as the regular weblog at http://thephotographysite.blogspot.com

October 19, 2008

Photography - Breaking Into The Business

Filed under: Photography Parlor — admin @ 1:10 pm

So you want to be a photographer. Well, you’ve got a long road ahead of you. Photography is one of the most competitive fields in the world. It doesn’t matter where you live or what language you speak. Anyone with a camera can be a photographer, which makes the competition fierce. So if photography is something you have your heart set on doing, then there are a few things you’re going to need to know. This list is by no means exhaustive, but it will give you a start.

The first thing you absolutely must do is decide what field of photography you want to get into. There is fashion photography, sports photography, glamour photography, studio photography, outdoor photography, children’s photography and the list goes on and on. The market for each of these and many other types is wide open. And with those wide open markets also comes a lot of competition. Deciding on which field you want to get into should not be based on the path of least resistance. There is no such thing. Pursue the path that you have the most passion for.

The next thing you have to do is get all the equipment that you’re going to need. This is going to vary depending on what kind of field you want to get into. For example, if you’re planning to become a photographer who specializes in stock car racing, then you are going to need a lot of equipment for taking high speed photos. The good news is that you’re not going to have to spend a lot of money on lighting since these photos will be taken outdoors. Conversely, if you’re planning to photograph fashion models, lighting is going to be critical to your photos and your lighting equipment expense is going to be quite high.

The next thing you’re going to need to do is advertise. You’ll have to print out business cards, take out ads in magazines and newspapers and more or less get the word out that you exist. If you’re hoping to break into the field taking photos for a magazine like Playboy, then you’re going to have to first get some private work photographing models in order to submit these photos to the magazine itself. Before you do that though, you’re going to have to write to the magazine for permission to send photos. Most publications do not accept unsolicited material.

If you’re planning on opening up a studio to take children’s photos then you’re going to need to lease a building. It doesn’t have to be anything large but it should be in a visible part of town with a lot of other businesses. Visibility is half the battle won.

Finally, you’re going to have to take lots of photos, especially if you want to build a reputation for yourself. You’ll want to put together a portfolio of your work so that you can bring it around with you. Again, this is going to depend on what field you want to get into, whether it be freelancing for a magazine, setting up your own shop, or working for somebody else, which is usually a good way to break in.

The world of photography is wide open. There are many options to each aspiring photographer. So pick a game plan and stick to it. With patience and perseverance, you’ll eventually get to where you want to be.

Michael Russell - EzineArticles Expert Author

Michael Russell

Your Independent guide to Photography